Prometheus Review – Symbols and Themes

Prometheus, directed and produced with the aid of Ridley Scott, had pretty a bit of hype, particularly from me. It turned into the first-rate and had a few plot holes inside the 2nd half that did not quite destroy it; however, it had been unpleasant. Many visitors will now not “get it” if they have not seen and recollect the original Alien film. It’s no longer just some other shoot-em-up sci-fi movie; it is a pretty big deal for fanatics of the series. If you plan on seeing Prometheus and don’t consider the 1979 Alien movie or haven’t visible it, I think it is essential that you watch Alien first.

 Symbols and Themes

The characters were excellent. Not extra special, however desirable. And the appearing turned into fantastic, for the maximum component. I felt sorry for the archaeologist, Elizabeth Shaw, and I wanted to hug the entire 2nd half of the film. The android, David, changed into additionally a memorable individual. Elements of Blade Runner have been present in this person, especially the idea of the “tears inside the rain” monologue. In fact, the actor for the android averted watching the authentic Alien movies, and as an alternative, got the inspiration for his man or woman from Blade Runner.

The display screenwriters John Spaihts and Damon Lindelof (co-creator of Lost) did a first-rate task. Spaihts is relatively new to the writing scene but has enjoyed writing sci-fi. He wrote the authentic script, but then Lindelof rewrote it, probably fixing some matters even as developing extra plot holes. I think it became the script that took away the most from the film. I don’t know which creator is greater accountability. But I’d be inclined to go out on a limb and say Lindelof, thinking about he has been writing approximately being stranded on a tropical island for years, and then unexpectedly jumps into the sci-fi genre. Seriously, a person who once wrote for an MTV display called Undressed–surely a signal of writing only for cash–has no commercial enterprise messing with the Alien universe. I needed to allow that out.

The cinematography turned into superb. Just as anticipated from a Ridley Scott movie. The intro photographs were mainly accurate, and the imagery furnished inside the commencing scene let me recognize that Scott had now not forgotten that vital part of Alien. Most of Scott’s movies are deep and full of thematic factors. He did not disappoint with this one.


The movie opens with a humanoid, light alien standing on the pinnacle of a waterfall on Earth, probably tens of thousands of years ago. He liquids a black liquid (which appears to be alive), and we witness rapid modifications in his DNA because the strands are twisted aside. His skin starts offevolved to deteriorate, and he falls into the waterfall, with his limbs falling apart. He dies and supposedly plants his DNA on Earth so that it could have existed. I suppose the motive of this scene is to show that humanoid extraterrestrial beings are accountable for their existence on Earth.

 Symbols and Themes

The first half of the film is excellent. I admire buildup. The two main scientists are trying to discover these “Engineers” on an alien planet, indicated by using megastar maps found throughout Earth. The Engineers are assumed to be the creators of human existence; the humanoid at the start scene becomes an Engineer. I find it humorous that Meredith, the Weyland Corporation employee, is so controlling of their excursion. It’s allegorical to Ph.D. researchers who’ve to cope with being controlled all the time.

Throughout the first 1/2 mainly, it became highly philosophical and spiritual. I recognize that Ridley Scott desired to take it this way; he believes most technological know-how fiction films do not cowl those subjects once they need to. During their transit to the alien planet, which takes years in cryosleep, David (the android) observes Shaw’s (the woman archaeologist) desires. In the dream, she is a bit woman and her dad on what appears to be a digging day trip. A cross necklace appears over the photo inside the dream sometimes; this symbol will become crucial afterward. She and her dad talk about what occurs after death, and her dad says it is something like paradise. She asks why he says so, and he replies, “because’s what I choose to believe.”

Being an android who is stricken with the aid of his life, David is the primary motive of all the hassle that ensues. At one point, he asks Charlie Holloway (Shaw’s love interest) why they created him. Holloway replies, “due to the fact we should.” David is going directly to ask if Holloway might be satisfied if he requested his author that query and were given the identical answer. There are many points like this inside the movie, which helps propagate the existential dilemma inside human thoughts. The whole philosophical part of the film is primarily based on the “best query” regarding who/what created us and why, who created the writer and why, and so forth. I suppose the crucial end in the film to this query is that there is no solution, and never could be. It’s about dwelling with existence and enjoying it the quality you may.

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It’s not precisely known why David infects Holloway with the black fluid. It’s either due to his mammoth interest or receiving orders from Peter Weyland, who’s secretly hiding on the delivery. After Holloway is infected by taking the drink offered to him using David, he visits Shaw in her room. She’s determined that the Engineer’s DNA is a fit for human DNA. Holloway says they’ve discovered their creators and tells her she can take her father’s cross off now. She refuses to, announcing that they don’t know who created their creators.

We learn that Shaw cannot bear youngsters, and they are quite upset approximately it. The two continue to sleep together that night time. And it is easy to look it coming that something was in Holloway’s gadget might be in her system now. On their subsequent excursion outside, Holloway turns too ill and finally ends up volunteering to be immolated to avoid spreading the infection. The event turned into demanding for Shaw, but Holloway’s death did not have a lot of an impact on the plot.

After Holloway’s demise, David is checking Shaw for infections inside the scientific bay. David insists that she takes off her go necklace for the body experiment. She complies, and David takes the cross. She learns that she is three months pregnant. It’s also found out that it’s far “not a traditional fetus.” Almost immediately after mastering this, she says, “I want it out,” and screams, “get it out of me.” Just ten hours ago, she becomes desperate to have a baby, and now she desires an abortion. She would not understand whether or now not it is risky. However, she assumes it is. David reflects on the situation and says, “it should feel like your God abandoned you.” The symbolism right here is obvious.

The subsequent scene is one of the most disturbing moments in a film, not simply due to the photograph issue but also the emotion. Shaw escapes from the clinical bay and unearths the emergency surgical procedure pod in hopes of getting rid of the developing fetus. She reveals out that the pod is supposed for male patients only after soliciting for a cesarean section. I locate it abnormal that it’d be calibrated for male sufferers handiest. There’s symbolic importance on this; I haven’t pretty figured it out, but. She proceeds to have an “overseas body” elimination surgical treatment instead, injects herself with painkillers, and enters the pod. The painkillers are not enough for anesthesia, and the method is painful. Her lower stomach is slit open, and a mechanical arm reaches in and pulls out the alien fetus, which starts squirming violently, trying to get returned internal her stomach.

She’s now trapped in the surgical treatment pod with the partly developed alien toddler being held above her, as her belly is stitched returned up. She manages to get out of the pod and contain the alien inside. Since it was shifting round in her stomach, it was possibly gestated enough to live on its very own outdoor. I suppose Ridley Scott changed into relating to this scene and some others when he was asked approximately the score and stated, “the question is, do you move for the PG-13, or do you move for what it has to be, that is R? Financially it makes quite a distinction… Essentially it’s R… It’s now not just about blood; it’s approximately ideas that are very demanding.”

 Symbols and Themes

What befell next really threw me off. The foremost reason this threw me off is that the temper set from the closing scene changed into completely lost and forgotten. There isn’t any point out ever made using absolutely every one of the interior Shaw’s alien fetuses. She re-enters the medical bay, and its miles found out that Peter Weyland, the founder of the Weyland business enterprise, is alive and aboard the ship. But her pain continues to be virtually provided.

So Peter Weyland is a great deal too antique to be alive (manifestly being stored alive by using era–transhumanism) and desires to invite the Engineers to increase his life. His man or woman is a person who has now not popular dying and is desperately clinging to existence. He should have mechanical assistance from a match he wears to walk into the buried delivery with the Engineers. He would not even get to ask his query to the awoke Engineer before being pummeled to death by it. I bet he got his answer.

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